A breakthrough in the genre paradigm in the process of governance modernization: the construction of realistic aesthetics in films and television series on anti-gangster themes
DOI:
https://doi.org/10.63386/g6227n08Povzetek
Starting from realism aesthetics, combined with genre research and ideological criticism methods, this paper systematically expounds the aesthetic orientation and aesthetic motivation of Chinese anti-crime film and television creation since 2018. Such works construct the aesthetic transformation system of political discourse with the help of realistic image rhetoric, and complete the dialectical unity of main theme and commercial aesthetics in the innovation of typology. Therefore, the anti-crime film and television works from "Anti-crime · Decisive Battle" to "Anti-crime Storm", "Anti-crime action", "Crazy", "Anti-crime" and other works have gradually formed a unique narrative mode and artistic style of this type of film and television works, and more generally gave birth to unique aesthetic characteristics. The creative path of this type is not only a breakthrough in the traditional film and television works involved in the case, but also an innovation and enrichment of the new mainstream suspense film and television works, and a new breakthrough in the aesthetic expression of the type of film and television art.